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He has a private practice in San Francisco and Rome. LYNNE SOFFER, actor, teacher, director, dialect and text coach, has taught for A. T., Berkeley Rep School of Theatre, San Jose State University, PCPA Theaterfest, Voicetrax, Marin Theatre Company, and Alaska Artists in Schools Programs. T., Berkeley Repertory Theatre, San Jose Repertory Theatre, Theatre Works, Sacramento Theatre Company, California Shakespeare Theater, Alaska Repertory Theater, Magic Theatre, Encore Theatre Company, Word for Word Performing Arts Company, Golden Thread Productions, San Francisco Opera, and Arizona Theatre Company, and will be directing ELYSE SHAFARMAN (Alexander Technique) teaches Alexander Technique at A. T., Berkeley Rep School of Theatre, and in private practice in San Francisco and Berkeley. Her background includes a master's degree in physiological psychology, a ten-year career as a modern dancer, and training in a wide array of movement disciplines, including Gyrotonics, Svaroopa Yoga, and Body-Mind Centering.

LISA ANNE PORTER (Co-Head of Voice and Dialects) has served on the faculties of UC Davis, San Francisco State University, Shakespeare & Company, The Tepper Center (New York City), Naropa University, California Shakespeare Theater, and Berkeley Repertory Theatre. program at Syracuse University (2001–06), where in her first year teaching, she was awarded the Most Inspirational Faculty Award. She has coached over 260 shows including the World Premiere of . She trained with Frank Ottiwell at the Alexander Training Institute of San Francisco and continued that education for many years by assisting in Ottiwell's classes at A. She has taught Alexander Technique elsewhere around the Bay Area at Elephant Pharmacy, The French American International High School, and San Francisco State University.

During his time at Roundabout, he worked on the construction and renovation of the Harold and Miriam Steinberg Center for Theatre and the Laura Pels Theatre; at Second Stage he managed the renovation of the Helen Hayes Theatre, which is to become Second Stage's Broadway home in 2013. She has also served as dramaturg/assistant director on A. She is a graduate of Princeton University and the Columbia University School of Law. (School & Community Programs Coordinator) joined A. She was also involved with Surfacing, Webster's biannual playwriting showcase, in which undergraduate students write, design, direct, and perform one-act pieces. He is a collegiate instructor at the San Francisco Conservatory of Music and has guest lectured at several colleges and universities.

Production highlights include the Pulitzer Prize–winning Next to Normal, the New York Drama Critics' Circle Award–winning Intimate Apparel, the Tony Award–nominated revival of A Day in the Death of Joe Egg, the Tony Award–winning revival of Big River, Anna Deavere Smith's Let Me Down Easy, and the 2011 Lucille Lortel Award winner for best play, The Elaborate Entrance of Chad Deity. T.'s senior management team, she now oversees the central components of the theater's Education & Community Programs: Student Matinees, the ACTsmart Partnership program benefitting Bay Area schools and community-based organizations, Will on Wheels, Back to the Source, and Stage Coach. Conservatory productions of Maxim Gorky's Philistines, Sarah Daniel's magazine. is a theater and social justice educator with over ten years experience working with a diverse range of students, teachers, and community members. Jasmin received her MA in Equity and Social Justice in Education from San Francisco State University and a BA in Performing Arts for Social Change from the University of Massachusetts, Amherst. as the Publications and Education Fellow for the 2011–12 season and served as A. T.'s first education associate in 2012–13, a role for which she was awarded the an A. While at Webster, she served as a Student Government Education Senator, studied at Regents College London, and volunteered in local hospital and library reading rooms.

Mac Kinnon is an alumna of the Drama League, Women’s Project Theater, and Lincoln Center Theater’s Directors Labs. He has also served as mediator in orchestra and opera union negotiations in Detroit, Louisville, Milwaukee, Phoenix, Sacramento, Seattle, and San Antonio. During that time, she has overseen the expansion of the M. Struch also worked with Peer Health Exchange for three years in Los Angeles, San Francisco, and Oakland. in theater from California State University, Northridge. He has directed The Collective's annual Depth of Black Arts festival (2013) and CARLY CIOFFI is an actor, director, producer, and teacher. She taught acting and devising theater at pre-college programs, Boston University and the Olney Theatre Center in Maryland, and currently teaches acting in the adult theater program, Studio A. MATT CHAPMAN is a performer, director, and teacher of physical theatre and clown. She holds a BA in comparative literature from Brown University and an MFA in acting from A. He was Artistic Director of Art Street Theatre, San Francisco, from 1995 to 2004, during which time he wrote, directed and performed in numerous productions for the company.

She is an Associate Artist of Roundabout Theatre Company, Executive Board President of the Stage Directors and Choreographers Society (SDC), and former chair—and now advisory board member—of Clubbed Thumb, a New York downtown theater company dedicated to new American plays. Mac Kinnon is joined by her long-time partner, actor John Procaccino, in this great adventure and next step as A. Born in Brooklyn, New York, in 1938, Pastreich received a BA in English literature from Yale University in 1959. Most recently, she served as the Bay Area program director, training college volunteers and managing a school-based health education program for 2,500 high school students. She has previously served as both Associate Director of the Conservatory and Artistic Associate at A. He is Co-Artistic Director of Under the Table, a physical comedy ensemble founded in 2001. Mark's work has also been seen at Aurora Theatre Company, Encore Theatre Company, EXIT Theatre, Potrzebie Dance Project, San Francisco International Arts Festival, Shotgun Players, and The Studio Theatre (Washington D.

A winner of the 2013 Falstaff Award in choreography and a nominee for principal performer.

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Conservatory, Smith was the director of the program in theater and dance at Princeton University, where she taught introductory, intermediate, and advanced acting. Robert O’Hara); NJPAC Stage Exchange (new play commissions w/ NJ theaters, world premieres). T., Slaight was an award-winning professional director in Los Angeles. T.'s audience education efforts for 19 years as publications editor, overseeing all of the theater's dramaturgical publications. Brodersen co-chaired the Education Committee formed by the A. Recently he was the Recreation Specialist for the Gilroy Youth Center and Ochoa Migrant Camp. Jessica also works with business professionals and private individuals on communication, presence, and presentation skills. He has designed movement for various theaters, including Trinity Rep, Long Wharf Theatre, and The Providence Black Repertory Company. Gabriel trained and danced with the Berkshire Ballet Company, is a certified instructor of the Michael Chekhov Technique, evaluates theater arts curricula for the New York State Education Department, and received his undergraduate degree in musical theater from the University of Michigan.premiered at the Théâtre de Paris in October 2014 in a production starring Isabelle Adjani and Niels Schneider and was produced at the Williamstown Theater Festival last summer, starring Cynthia Nixon and directed by Jo Bonney. A recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award, Perloff received a B. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright Fellow at Oxford. Perloff is the author of (Steppenwolf Theatre Company, Arena Stage, Broadway), starring Tracy Letts, Amy Morton, Carrie Coon, and Madison Dirks. Pastreich was the chief administrator responsible for the construction of Davies Symphony Hall in San Francisco, and for its acoustical renovation. Stephanie has also launched drama therapy programs to the Boys and Girls Clubs of Orange County in California. Her domestic arts and community organizing experience ranges from devising new works with formerly incarcerated youth in Los Angeles to coaching youth in a pedagogies of art and social change program at Penumbra Theatre in St. Benjamin has taught and coached productions for numerous theaters and training programs throughout the United States and Canada, and at the National Theatre School and Theatre Za Keum in Zagreb, Croatia. Jessica Berman is a voice, dialect, and text coach. Buescher has taught physical theater at Yale School of Drama, Brown University/ Trinity Rep, and New York University’s La Pietra program. She also wrote a new translation of Brecht's The Caucasian Chalk Circle, which premiered at A. As playwright, her musical, and has appeared in a number of films. Carlin is a member of SDC, AEA, SAG-AFTRA, and the Dramatists Guild.was workshopped at the O’Neill National Playwrights Conference, premiered at Lucille Lortel’s White Barn Theatre, and was produced at A. She was on the faculty of the Tisch School of the Arts at New York University for seven years, and teaches and directs in the A. Her production also received the Tony for Best Revival of a Play. Before coming to San Francisco, he spent 12 years as executive director of the Saint Louis Symphony Orchestra, and 6 years as managing director of the Mississippi River Festival. While there, Stephanie assisted the children to produce their own adaptation of fairytales, such as Rebecca Struch is a theater artist, educator, and community organizer. Paul, Minnesota Internationally, she trained in Brazil at the Center for Theatre of the Oppressed and has worked with therapists, youth, and health educators in Rwanda and Kenya. She was head of voice for the actor training program at Illinois State University (1992–95). She has led dialect workshops and voice warm ups for the Royal Shakespeare Company, and has taught voice, speech, and dialects at U. Buescher has performed nationally and internationally with the physical-based company Dell’Arte International, and locally with Shotgun Players, Scott Wells and Dancers, and Deborah Slater Dance Theater. The Musical, the world premiere of the musical Homefront, and Korczak's Children. She is the recipient of numerous Bay Area Theatre Critics Circle, and Drama Logue awards for best Principle Performance, Best Supporting Performance, and Best Director.Scott Fitzgerald's The Debutante and Avery Hopwood's Fair and Warmer (Playscripts); and editor of Hopwood's unpublished novel, The Great Bordello, a Story of the Theatre (Mondial).

He is graduate of the University of Michigan and holds a Ph. in theater history and dramatic literature from the University of Utah. T.’s high school programs, Jasmin has taught theater and written and directed plays for elementary and middle school aged students at the Children’s Day School, Aim High, Young Performers Theater, Fusion camp, and the YMCA in San Francisco.Abroad, his workshops and performances have included South Africa, Denmark, Colombia, Canada, and England, Mexico, and the Netherlands. Other teaching includes: Accademia Nazionale d'Arte Drammatica “Silvio D'Amico” (Rome); Prima del Teatro, San Miniato, Italy; Chautauqua Theater Company; Classic Stage Company; De Paul University; California State University, Fullerton; Stanford University; and the Esalen Institute. in theater and American studies from Wesleyan University, and is certified in Linklater voice training. Mark has also directed a number of productions as a guest artist of both the American Conservatory Theater MFA Program and San Francisco State University. In 1993, she directed the world premiere of Steve Reich and Beryl Korot’s opera at the Vienna Festival and Brooklyn Academy of Music. Perloff is on the board of the Hermitage Artist Retreat in Sarasota, Florida, and is the proud mother of Lexie and Nicholas. He spent 21 years as executive director of the San Francisco Symphony, a period that included the tenures of music directors Edo De Waart, Herbert Blomstedt, and Michael Tilson Thomas, and during which the orchestra increased its endowment from million to 0 million. With these organizations, she has specifically worked with high risk youth and families, introducing theater to them. She has an extensive background in community and youth development through liberation arts and participatory research, including more than five years of training and experience in Theatre of the Oppressed and drama in education. NANCY BENJAMIN (Co-Head of Voice and Dialects) divides her time between A. She was a resident voice, text, and dialect director for the Oregon Shakespeare Festival in Ashland for seven seasons. in directing from Illinois State University and an advanced diploma in voice studies from Central School of Speech and Drama (London). STEPHEN BUESCHER (Movement Director) has designed movement for . projects include directing six graduate showcases (on tour to New York, Los Angeles, and San Francisco) and the Will on Wheels touring productions of Othello and The Comedy of Errors. NICK GABRIEL is a Sadler Award–winning graduate of the A. Since her certification in 1992, Prindl has maintained a private practice in San Francisco and has taught at various institutions across the country, including San Francisco State University, San Francisco Conservatory of Music, the Community Music Center, and Henderson State University in Arkansas, as well as in A. T.'s Young Conservatory, Summer Training Congress, and M. She has performed and directed extensively in regional theaters, including A. T., Berkeley Rep, San Jose Rep, and the Oregon, Santa Cruz and Lake Tahoe Shakespeare Festivals.



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